‘I cannot recommend Anthony Mullins’ approach enough; he has found a powerful path to the heart of story’ – Jeff Rush, co-author of Alternative Scriptwriting: Beyond the Hollywood Formula
CURRENT COURSES
Mastering Structure Using Character Arcs (Varuna Writers’ House, Australia)
UPCOMING COURSES
From Page to Screen, 30th May, 10-4pm (Avid Reader, Brisbane, Australia)
Adapting a Novel for the Screen, July 28 - September 16 (Faber Academy, ONLINE)
The Power of a Good Outline, 17th September - 22 October (Varuna Writers’ House, ONLINE)
Anthony is available (in-person or online) for talks, lectures or workshops designed to take students far beyond the limited formulas of Hollywood
Topics include;
Fundamentals of Character Arcs
“Change” Characters
“Constant” Characters
Alternative Arcs and Structures
Ensemble Narratives
Writing for Television
TV Proposal Writing and Pitching
In the Writer’s Room
Brainstorming and Plotting Techniques
Developing a Writing Practice
Praise for Anthony’s award-winning book Beyond The Hero’s Journey
WINNER OF THE 2022 SCREENWRITING RESEARCH NETWORK ‘BEST MONOGRAPH’ AWARD
‘Insightful, practical…genuinely original’ – Michael Lucas, creator/writer of Five Bedrooms, The Newsreader and Party Tricks
‘Essential. If you’re writing scripts already, read it to explode every existing assumption – Benjamin Law, creator/writer of The Family Law
‘I cannot recommend Anthony Mullins’ approach enough; he has found a powerful path to the heart of story’ – Jeff Rush, co-author of Alternative Scriptwriting: Beyond the Hollywood Formula
‘Mullins is so good on character arcs…the more examples he gave, the more amused, entertained and, importantly, informed I was…you ought to read this book’ — Tom Stempel, Script Magazine
‘A wonderfully fresh approach...masterful at marrying large ideas about creativity with a practical, down-to-earth approach to writing’ – Warren Clarke, co-creator/writer of The Heights
‘A joy to read and a necessary evolution in critical analysis’ – Meg O’Connell, co-creator/writer of Retrograde
